Retromancer
Retro hits reborn as neon-noir electronic rock - immersive, interactive, and built to raise the room.
• Recognizable hooks, reinvented with synths + rock bite.
• Theatrical, audience-forward energy (not "background music").
• Fast setup and venue-friendly production.
Featured reworks: Running Up That Hill • Blue Monday • Big in Japan • Don't Go • Shout
Retromancer
Retromancer isn’t a band name as much as a figure you meet in the dark—somewhere between neon and nostalgia—someone who collects songs people thought they’d outgrown and brings them back with a different heartbeat. The show starts with a simple premise: take familiar melodies and translate them into electronic rock—darker pulse, cinematic synths, and guitars that add weight without erasing what makes the song memorable.
On stage, Retromancer doesn’t chase hype. The performance is closer to an invitation: sometimes the room sings because the chorus is already written into everyone’s memory; other times the music holds a steady groove and lets the atmosphere do the talking. It’s recognisable, but not predictable—like hearing an old track through a new set of shadows.
The set is built as an arc rather than a playlist. Energy rises, drops, sharpens, softens—moving between dancefloor momentum and more intimate moments, the way a night naturally unfolds. It works whether you came for the originals or you simply want a live experience that feels coherent, intentional, and a little cinematic.
Because the character is the thread, the format stays flexible. Retromancer can deliver a tight feature set, expand into a longer headline, or adjust the intensity to the space—more pulse for clubs, more edge for rock rooms, more ambience for lounges—while keeping the same signature world.
If you’d like to bring Retromancer to a venue, event, or private night, share the date and location. The EPK and technical notes are ready, and everything else is just choosing the right setting for the songs to return.
